Wednesday, December 25, 2013

GALINA SEDOVA’S BULGAKOV. XXXV.


Who’s seen the Kremlin at the golden hour of morn,
When fog lies over the city,
When amidst the cathedrals, in proud simplicity,’
Like a Tsar, rises the white tower-giant?
 
M. Yu. Lermontov.
 
 
There is no better indication of Bulgakov’s interest in history than the fact that his chief protagonist in the novel Master and Margarita, Master, is a historian by profession and education. And here is the lesson that Bulgakov learns from history and wishes to impart to his reader:

“He [Abadonna, that is, death] is exceptionally impartial and equally sympathizes with both warring sides. As a result of this, the outcome is always the same for both sides.”

In this observation Bulgakov echoes the fourth Song and Dance of Death by Modest Petrovich Mussorgsky to the words of Count Arseny Golenischev-Kutuzov, and titled Commander. In this song “the enemies fight even more furiously and ferociously.” The night falls…


“Then, lit by the moon
And mounted on his war stallion,
The whiteness of the bones gleaming,
Death appeared, and in the silence
Falling after all the groans and prayers,
His fateful voice rose over the field:
‘The battle is over, I conquered you all!
All of you fighters have surrendered before me!
Life brought you quarrel, I brought you reconciliation;
Now you dead ones get up and fall in for my drill.
In a solemn parade march you before me,
I want to count the strength of my troops,
Afterwards, repose your bones in the ground:
It is so sweet to rest from life!..
Then I shall dance heavily on that wet ground,
So that the resting place of the dead
Could never be disturbed by your bones rising up,
So that never again may you come back from the earth!
 
And so, wars end in death, who is the real winner every time. But of much greater interest than the outcome of all wars is their origin. There is no way we can omit the third component: the provocateur, who incites trouble. Why don’t we call this inciter--- just as we are immersed in the fantastic element--- the demonic force? Muscovite Russia was fighting on two fronts at the time: in the west, with the Lithuanian-Polish Principality, and there were Tatars pressing from the southeast, too. The Lithuanians frequently incited the Tatars to attack, promising them help that never materialized, and the infuriated Tatars (during the reign of Kazimir), having been repelled in Russia, would turn against the Lithuanians, robbing their land and abducting thousands of them to sell as slaves. The Turks were also famous for inciting the Crimean Tatars: they were eager to take Astrakhan, were repelled, and when the Turkish troops sounded retreat, they were routed…

Thus in the year 1571, Satan [Bulgakov’s Woland] (who was by no means content with Muscovy becoming the Third Rome, while remaining Orthodox, and so soon after the fall of Constantinople, in which event he, too, must have personally participated) arrived in Moscow in person… And why not? According to Bulgakov, he was present at the Crucifixion of Christ, he was there when Medea fed to Jason their own children, he personally picked up the soul of Kant, sending him much farther than Solovki (“extracting him from the [place where he was] would be utterly impossible!”) Not a single war can do without his, Woland’s, participation, as Woland explains to Margarita, through the use of a “good thing,” that is, as if alive and sunlit on one side globe… Woland “started turning his globe in front of him. It was made so skillfully that the blue oceans on it were moving, and the icecap on the north pole was sitting there like real, icy and snowy.”

“My globe is far more convenient [than any news], besides, I must know the events accurately. For instance here is a piece of land washed by the ocean on one side. Look how it becomes infused with fire. A war has started there.”

Margarita moves her eyes closer to the globe and sees, as though in live pictures, all that is going on. And then---

“Margarita was able to see a tiny woman’s figure lying on the ground, and near her in a pool of blood was a little child, spreading wide his arms.”

…Such is the face of war, not just for Bulgakov, but for each and every Russian.

 

And so, Woland is always interested in whatever is going on, on the entrusted to him earth, and frequently he even becomes a firsthand participant in the events. Such was the case in 1571 in the city of Moscow.

Following a good Russian tradition of making the devil suffer (Pushkin in Gavriiliada deprives Satan of his male organ, and Lermontov in Demon shames him to the world as one incapable of love), Bulgakov makes Woland suffer from a constant physical pain in the knee. Bulgakov lets us know, with the help of Russian history, that the devil got into trouble in Moscow. The reason why he comes to Moscow in the first place is the elevation of the Russian State to the status of the Third Rome under Ivan Grozny. Petr Ilyich Tchaikovsky himself wrote his Moscow Cantata to celebrate this elevation, so how could Satan be blind to such big developments?!

In 1571, just as the main Russian army was engaged on the Western front against the Lithuanians, Moscow was suddenly and treacherously attacked by Khan Devlet-Girey, “blood brother” of Ivan Grozny, whom the Russian Tsar had previously appeased with generous offers, thus trying to postpone a war with the Crimea.

(A familiar picture here. The same was done in the twentieth century by Stalin toward Hitler. Stalin obviously knew theology [he used to be a student of a theological seminary] and Russian history [he was a lifelong student of history, and personally participated in major historical projects] very well, and, although he understood that sooner or later Hitler would invade the USSR, breaking the Hitler-Stalin Pact, he was going out of his way to make it later, rather than sooner, appeasing Hitler with large quantities of Russian crude oil, which Germany needed to keep up her war effort. The reason for Stalin’s appeasement of Hitler was in the Ural Mountains [called “the backbone of Russia” and “invincible” in the recent German (!) TV program Wild Russia on the American Nature Channel] where Soviet war industry was now concentrated, and were the military production of new-design aircraft, tanks, guns, etc. was underway, running against time to complete the vital rearmament of the Soviet Army. Just as an example of the success of that rearmament program, the Soviet tank T-34 would become known as the best tank ever built, and as such it was acknowledged by the German tank genius General Guderian and Field Marshal von Paulus. Guderian called it “the deadliest tank in the world.” Largely on account of it, von Paulus surrendered to the Russians at Stalingrad, with an 100,000+ army, which would later become “the backbone” of GDR. To make this long story short, the Germans never expected such a turn of events in their ill-fated war against Russia, because they failed to realize that “what happens in the Urals stays in the Urals.”)


(To be continued…)

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