Wednesday, January 1, 2014

GALINA SEDOVA’S BULGAKOV. XLII.


The Theme of Violence Against Human Dignity. Part III.
 

Thou shalt love thy neighbor as thyself.

Matthew 22:39.

 

Returning to Varenukha, his was a sincere act of repentance for the act of betrayal of his colleague Rimsky. Granted, Varenukha was not in control of his will, but betrayal it was nevertheless.

From Varenukha we get straight to Rimsky, the betrayed. Bulgakov calls his experience silent horror, from which, unlike Varenukha, Rimsky never recovers to the end of his life, probably because Rimsky is smarter than the other one.

Neither Rimsky nor Varenukha are totally innocent in the story. Varenukha believed Koroviev, the man whom he had never seen or known before, over the desperate pleas for help from his longterm superior and colleague Stepa Likhodeev.

Rimsky is an interesting figure in conjunction with Varenukha, as the two of them complement each other. Rimsky is dry and clever. Varenukha is easily susceptible to influence. Like Annushka, he has “blizzard in his head,” that is, his thoughts are contradictory and random.

Rimsky always drives at the same point. He is unemotional, dry; despite the sheer horror of his position he does not cry, or faint. No matter what, he is kind of “in control.” The only thing that we hear out of him in this scene of horror is the soft whisper: “Help…” As a matter of fact, Rimsky is the kind of man who does not usually cry for help. He is a man of numbers, a rational man. In the story with Woland he quickly senses that something must be wrong, and the worst thing about it is that he is the only senior administrator in the theater at the moment (Stepa is faraway wherever he is, and Varenukha never returned from his mission of delivering the papers), and when the troubles happen, as they sure are about to, he will be the fall guy by default. When the hell does indeed break loose, he must come up in a hurry with a convenient and credible lie, and it is his inability to come up with it that keeps him late in his office.

Rimsky never liked Stepa Likhodeev. He just could not wait when the man would be fired from his job for his dissipated way of life. When Stepa got into trouble, neither Rimsky nor Varenukha wanted to believe a single word from him. In Rimsky’s case, even though he had been witness to all the incredible stuff going on at the séance of black magic, he wanted to believe the worst about Stepa… His punishment--- a bunch of unbelievable lies told by Varenukha, until at last Rimsky himself realized that it was too much.

No, Bulgakov could not see around him what could be qualified as love for your neighbor. In fact, he only saw malice. That’s what the Rimsky chapter is all about. Even when Varenukha “disappears,” Rimsky has no sympathy for the man’s fate, but that his own life may be in peril, once the other man has been arrested. He cannot muster his presence of mind to make a phone call explaining that he was not at fault, putting all the blame on Likhodeev.

The fantastic element comes on full blast when the phone “burst into ringing right into Financial Director’s [Rimsky’s] face. Rimsky “froze,” realizing that his nerves were awfully strung. A soft, wanton woman’s voice whispered into the receiver: “Don’t call anywhere, Rimsky, there will be trouble.” Rimsky turned whiter than paper and for some reason started looking into the window, and the more he looked, the more fear overtook him. He thought of just one thing: how to get out of the theater as soon as possible. A child’s inescapable fear filled him through at the thought that he could be left all alone on the whole second floor. He shuddered imagining himself going through the empty corridors… The clock started striking midnight, causing the financial director to shudder… His heart sank when he heard the key turning in the lock… The finance director felt as though just a little more of this and he wouldn’t take it anymore, and let out a shrill cry.

But that was Varenukha who started telling Rimsky the latest tall news of Stepa Likhodeev. At first Rimsky listened with great approval. Bulgakov masterfully explains how easy it is to badmouth a man. Here is the main reason why both of them got into their big trouble.


(To be continued…)

No comments:

Post a Comment